Having lost their function of sighting as an instrument of strategic control, inclusion and protection from presumed pirate invasions, the coastal towers of Calabria Ultra, represented in the Diary of Wonders of the end of the sixteenth century, called Codice Romano Carratelli, will act as the key and device of the gaze that links the land to the expanse of water. A vast geometric, precise and linear system that will connect, through the gaze, the “terracqueo landscape”, unstable and multiform, continuously changing. The ninety-nine watercolour maps of the Codice are an immense heritage of clues, traces, geometries and measurements on which to think in order to bring to the surface of the earth, military tactics that have become latent in history as a palimpsest. The use of ancient and modern techniques of survey and graphic representation, want to accompany the contemporary traveler to turn his gaze towards new strategies of “reception”, rather than aversion of a silent landscape, where merge and mix. The “stratigraphies of the gaze” are sections perpendicular to the “horizontal plane” of a “living” landscape from which routes, artefacts, signs, traces, fragments of history can be distilled for a widespread cultural regeneration of the territory. The experimental character of this research, recounted in these pages, lies in the application of an innovative strategy of communication and information, based on the creation of cultural routes structured in museums, widespread or located on the coastal landscape of Calabria.